Casa Milà, better known as La Pedrera (Catalan for ‘The Quarry’), is a building designed by the Catalan architect Antoni Gaudí and built during the years 1905–1910, being considered officially completed in 1912. It is located at 92, Passeig de Gràcia in the Eixample district of Barcelona, Catalonia, Spain.
It was built for the married couple, Rosario Segimon and Pere Milà. Rosario Segimon was the wealthy widow of José Guardiola, an Indiano, a term applied locally to the Catalans returning from the American colonies with tremendous wealth. Her second husband, Pere Milà, was a developer who was criticized for his flamboyant lifestyle and ridiculed by the contemporary residents of Barcelona, when they joked about his love of money and opulence, wondering if he was not rather more interested in “the widow’s guardiola” (piggy bank), than in “Guardiola’s widow”.
The design by Gaudi was not followed in some aspects. The local government objected to some aspects of the project, fined the owners for many infractions of building codes, ordered the demolition of aspects exceeding the height standard for the city, and refused to approve the installation of a huge sculpture atop the building—described as “the Virgin”—but said by Gijs van Hensbergen in his biography of Gaudi, to represent the primeval earth goddess, Gaia.
Casa Milà was in poor condition in the early 1980s. It had been painted a dreary brown and many of its interior color schemes had been abandoned or allowed to deteriorate, but it has since been restored and many of the original colors revived.
Casa Batlló (Catalan pronunciation: [ˈkazə bəʎˈʎo]), is a building restored by Antoni Gaudí and Josep Maria Jujol, built in the year 1877 and remodelled in the years 1904–1906; located at 43, Passeig de Gràcia, part of the Illa de la Discòrdia in the Eixample district of Barcelona, Spain.
The local name for the building is Casa dels ossos (House of Bones), and indeed it does have a visceral, skeletal organic quality. It was originally designed for a middle-class family and situated in a prosperous district of Barcelona.
The building looks very remarkable — like everything Gaudí designed, only identifiable as Modernisme or Art Nouveau in the broadest sense. The ground floor, in particular, is rather astonishing with tracery, irregular oval windows and flowing sculpted stone work.
It seems that the goal of the designer was to avoid straight lines completely. Much of the façade is decorated with a mosaic made of broken ceramic tiles (trencadís) that starts in shades of golden orange moving into greenish blues. The roof is arched and was likened to the back of a dragon or dinosaur. A common theory about the building is that the rounded feature to the left of centre, terminating at the top in a turret and cross, represents the sword of Saint George (patron saint of Catalonia), which has been plunged into the back of the dragon.
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